The US government has been pulling the levers behind the scenes in Hollywood for decades from backing Louis Armstrong’s jazz to funding the animated movie Animal Farm (1954) and more recentlyTransformers and Iron Man. The propaganda comes in many disguises including patriotic musical lyrics, comic books, and an even Abstract Expressionist art.
Sometimes the spin is so subtle audiences don’t even notice spies are calling the shots. American operatives aren’t the only propaganda artists in the world, of course. They just happen to be more talented than most.
The CIA secretly funded the classic movie Animal Farm (1954), bankrolling American film producer Louis de Rochemont. He produced a brilliant piece of Cold War anti-communist propaganda about a barnyard revolution, an allegory recounting events of the Russian Revolution with a very different ending than George Orwell’s 1945 book. Sonia Orwell granted the rights to her late husband’s work with one condition - she wanted to meet Clark Gable. Animal Farm is among the most important works of animation in British cinema history. The film was widely praised - 'The British out-Disney Disney', reads one headline.
Jackson Pollock's work was promoted by the CIA
Modern art as a Cold War weapon
American painters Jackson Pollock, Mark Rothko, Willem de Kooning, and other abstract expressionists were unknowingly part of the Cold War effort. The CIA pulled the strings at the Congress for Cultural Freedom, a front group that promoted non-communist leftist artists - the implication being that the Soviets would throw avant-garde painters into Lubyanka prison cells, whereas freedom-loving Americans celebrated them. Spies operated a 'long-leash' policy using galleries and museums to promote painters. The ruse allowed the CIA to sidestep artists who might object to having their exhibitions funded by the government.
Hollywood spies
The CIA has been working with Hollywood since the Agency's inception in 1947, offering advice and access to Langley HQ for those who portray the Agency favorably - Homeland, Zero Dark Thirty, and Black Hawk Down productions are among the collaborators. The CIA even had script approval during the filming of the TV series The Americans. While shooting the Tom Clancy thriller The Sum of all Fears, CIA film liaison (yes, the Agency has a film liaison) Chase Brandon advised on the set and he was also frequently around during the shooting of Alias, the espionage series starring Garner. Garner even filmed a CIA recruitment video. Ben Affleck’s Oscar-winning Argo was the first movie permitted to film inside Langley.
The US government has been pulling the levers behind the scenes in Hollywood for decades from backing Louis Armstrong’s jazz to funding the animated movie Animal Farm (1954) and more recentlyTransformers and Iron Man. The propaganda comes in many disguises including patriotic musical lyrics, comic books, and an even Abstract Expressionist art.
Sometimes the spin is so subtle audiences don’t even notice spies are calling the shots. American operatives aren’t the only propaganda artists in the world, of course. They just happen to be more talented than most.
The CIA secretly funded the classic movie Animal Farm (1954), bankrolling American film producer Louis de Rochemont. He produced a brilliant piece of Cold War anti-communist propaganda about a barnyard revolution, an allegory recounting events of the Russian Revolution with a very different ending than George Orwell’s 1945 book. Sonia Orwell granted the rights to her late husband’s work with one condition - she wanted to meet Clark Gable. Animal Farm is among the most important works of animation in British cinema history. The film was widely praised - 'The British out-Disney Disney', reads one headline.
Jackson Pollock's work was promoted by the CIA
Modern art as a Cold War weapon
American painters Jackson Pollock, Mark Rothko, Willem de Kooning, and other abstract expressionists were unknowingly part of the Cold War effort. The CIA pulled the strings at the Congress for Cultural Freedom, a front group that promoted non-communist leftist artists - the implication being that the Soviets would throw avant-garde painters into Lubyanka prison cells, whereas freedom-loving Americans celebrated them. Spies operated a 'long-leash' policy using galleries and museums to promote painters. The ruse allowed the CIA to sidestep artists who might object to having their exhibitions funded by the government.
Hollywood spies
The CIA has been working with Hollywood since the Agency's inception in 1947, offering advice and access to Langley HQ for those who portray the Agency favorably - Homeland, Zero Dark Thirty, and Black Hawk Down productions are among the collaborators. The CIA even had script approval during the filming of the TV series The Americans. While shooting the Tom Clancy thriller The Sum of all Fears, CIA film liaison (yes, the Agency has a film liaison) Chase Brandon advised on the set and he was also frequently around during the shooting of Alias, the espionage series starring Garner. Garner even filmed a CIA recruitment video. Ben Affleck’s Oscar-winning Argo was the first movie permitted to film inside Langley.
Molly (Miley Cyrus, center right) is a P.I. offered an FBI job in So Undercover
FBI film consultants
When director Henry-Alex Rubin asked the FBI to look over a draft script for his 2012 cyber-drama Disconnect, he expected a few fact-checking corrections. Instead, the FBI suggested changes to a scene where two agents aggressively question a journalist. Like the CIA, the FBI aims to polish its image by consulting on projects like the Miley Cyrus film So Undercover and the Watergate biopic Mark Felt: The Man Who Brought Down the White House. The FBI has had an uneasy relationship with Hollywood. Former director J. Edgar Hoover was obsessed with rooting out communists and censoring movies - even Jimmy Stewart’s holiday classicIt’s a Wonderful Life was considered Soviet propaganda at one stage.
Conan Doyle wrote the Sherlock Holmes' novels, the basis of the BBC series with Benedict Cumberbatch
Britain's secret War Propaganda Board
Sir Arthur Conan Doyle didn’t just write Sherlock Holmes’ detective stories, he wrote propaganda for the British during WWI. The government asked Conan Doyle to help with the war effort so he wrote a national appeal, To Arms! The UK also enlisted other prominent writers for His Majesty’s Government’s War Propaganda Board. More than 50 of Britain’s leading authors - including H.G. Wells and Thomas Hardy - also signed an Authors’ Declaration, a manifesto declaring that the German invasion of Belgium was a crime and that Britain could not idly stand by.
It’s only rock ‘n roll
Was the Scorpions’ power-ballad Winds of Change a CIA rock anthem crafted to bring down the Iron Curtain? The song was written in September 1989, two months before the fall of the Berlin Wall, with lyrics promoting the desire for change: ‘The world is closing in / Did you ever think / That we could be so close, like brothers?’ croons Klaus Meine, frontman for the West German heavy-metal band. Meine denied he was also a frontman for American spies but US investigative journalist Patrick Radden Keefe argues the point in his Winds of Change podcast - albeit without much evidence.
Jazz baby, jazz
During the 1960s and 1970s, the US State Department had a strategy to introduce American music internationally - winning audiences over as ideological Cold War allies in the process. The David Brubeck jazz quartet performed in Poland, Eastern Europe, the Middle East, Central Asia, and the Indian subcontinent. Music legends Louis Armstrong and Dizzy Gillespie were 'jazz ambassadors' in Africa and Asia, promoting America as a symbol of racial progress. The plan didn’t always work. Armstrong criticized President Dwight Eisenhower during the 1957 school desegregation crisis in Little Rock, Arkansas, when the National Guard prevented black students from integrating into Little Rock High School. Armstrong even abandoned his ‘ambassadorship’ periodically to drive home his point.
Alex Jennings stars in Ashenden, about a writer recruited into the Secret Intelligence Service in WWII
A propaganda tool?
Somerset Maugham, the celebrated British author, is among the first espionage writers to actually work as a spy. Maugham was assigned to Geneva, Switzerland, as a WWII Secret Intelligence Service officer disguised as a French playwright. He sent coded messages embedded in manuscripts. Maugham was supposed to be a propaganda tool for the British government but his effectiveness is debatable. In his foreword to Ashenden, Maugham writes: The work of an agent in the Intelligence Department is on the whole monotonous. A lot of it is uncommonly useless.
Communist Czechoslovakia rejected mail bearing the stamp of Tomáš Masaryk
Stamp wars
In 1960, Americans found that mail posted to Czechoslovakia was being returned unopened. The problem? The envelopes carried a US postage stamp of Tomáš Masaryk, the Czechoslovakian independence leader who led the struggle for political freedom. Communist Czechoslovakia was not amused. The spy games worked both ways, however. In 1954, the CIA issued an intelligence report called: Belief That Communists Are Using Von Schill Postage Stamp in Propaganda Effort to Foster German Nationalistic Feeling Against France.
The Classified Files of the CIA didn't make it past the pilot episode
Classified Files
Do spy agencies always win the cultural wars? The CIA commissioned its own network TV show in the 1990s: The Classified Files of the CIA. The plan was for Langley to feed ‘fact patterns’ to producers to use for storytelling. Producers Aaron Spelling (Beverly Hills90210, Charlie's Angels) and Steve Tisch (Forrest Gump) soon cited ‘creative difference’ and parted ways. According to Tricia Jenkins’ bookThe CIA in Hollywood, the two-hour pilot was a masterclass in humorless propaganda and how to create a failed TV show.
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